incidentalcomics:

Creative Thinking

(via seananmcguire)

sourcedumal:

lady-yuna:

2srooky:

mockingatlas:

prismatic-bell:

Can we just stop and talk about this for a minute?

Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.

But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.

The revolution really doesn’t start with Katniss.

It starts with Rue.

SOMEBODY FINALLY SAID IT

This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though. 

It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.

But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.

So Katniss instantly feels a subconscious pull toward her. 

When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.

Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.

And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena. 

And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts. 

She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.

In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in. 

Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.

Rue’s District sends a parachute. Homemade bread. 

Then Thresh kills Clove and distracts Cato by taking his bag. 

The fire is going now, and the actions in Catching Fire are even more obvious.

The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.

So the revolution never started with Katniss, she was just the tinder for Rue’s ignition. 

Rue was the real Mockingjay.

Also, who’s four note whistle is constantly attached to the trailers?

Rue’s whistle.

Rue is omnipresent in the books and movies, and I absolutely love it.

The rebellion was started because the innocence of a black girl was defiled.

That is a powerful statement that a lot of people gloss over for this book

(Source: taylor-swift, via cleolinda)

ricardobessa:


What if mermaids live really long - and the longer they live, the bigger they grow?

(I guess the bigger they grow, the harder it is for them to stick their torso and even their head out of the water. That’s why no one ever sees the big ones. And definitely never the huge ones.)
A bit late to the party, but here’s my contribution to Julie Dillon’s Catalog of Merfolk. I didn’t have nearly as much time to finish this as I wanted, but I have to be up in 5 hours so this will have to do!

ricardobessa:

What if mermaids live really long - and the longer they live, the bigger they grow?

(I guess the bigger they grow, the harder it is for them to stick their torso and even their head out of the water. That’s why no one ever sees the big ones. And definitely never the huge ones.)

A bit late to the party, but here’s my contribution to Julie Dillon’s Catalog of Merfolk. I didn’t have nearly as much time to finish this as I wanted, but I have to be up in 5 hours so this will have to do!

(via fuckyeahillustrativeart)

julianaegley:

desidere:

cbrachyrhynchos:

nineprotons:

notapaladin:

prettylittlerobbers:

missolivialouise:

Here’s a thing I’ve had around in my head for a while!

Okay, so I’m pretty sure that by now everyone at least is aware of Steampunk, with it’s completely awesome Victorian sci-fi aesthetic. But what I want to see is Solarpunk – a plausible near-future sci-fi genre, which I like to imagine as based on updated Art Nouveau, Victorian, and Edwardian aesthetics, combined with a green and renewable energy movement to create a world in which children grow up being taught about building electronic tech as well as food gardening and other skills, and people have come back around to appreciating artisans and craftspeople, from stonemasons and smithies, to dress makers and jewelers, and everyone in between. A balance of sustainable energy-powered tech, environmental cities, and wicked cool aesthetics. 

A lot of people seem to share a vision of futuristic tech and architecture that looks a lot like an ipod – smooth and geometrical and white. Which imo is a little boring and sterile, which is why I picked out an Art Nouveau aesthetic for this.

With energy costs at a low, I like to imagine people being more inclined to focus their expendable income on the arts!

Aesthetically my vision of solarpunk is very similar to steampunk, but with electronic technology, and an Art Nouveau veneer.

So here are some buzz words~

Natural colors!
Art Nouveau!
Handcrafted wares!
Tailors and dressmakers!
Streetcars!
Airships!
Stained glass window solar panels!!!
Education in tech and food growing!
Less corporate capitalism, and more small businesses!
Solar rooftops and roadways!
Communal greenhouses on top of apartments!
Electric cars with old-fashioned looks!
No-cars-allowed walkways lined with independent shops!
Renewable energy-powered Art Nouveau-styled tech life!

Can you imagine how pretty it would be to have stained glass windows everywhere that are actually solar panels? The tech is already headed in that direction!  Or how about wide-brim hats, or parasols that are topped with discreet solar panel tech incorporated into the design, with ports you can stick your phone charger in to?

(((Character art by me; click the cityscape pieces to see artist names)))

i am so into this wow

sign me the fuck up

I want a solarpunk future. *_*

Wow.

SOLARPUNK OH MY GODDDDDD i love it

CURVY ORGANIC LINES, REFLECT NATURE, FLORALS VEGETATION, UGHHHH I WANT IT 

So pretty. Want. Now.

(via cleolinda)

princessvixel:

thatisnotahat:

I’ve been watching this for 5 minutes and giggling like an idiot.

damn

princessvixel:

thatisnotahat:

I’ve been watching this for 5 minutes and giggling like an idiot.

damn

(via cleolinda)

ruination-fangs:

i’ve been saving game-related text posts for months but had nothing to do with them until this meme happened

my time has finally come

(via berrythehatchet)